September 18, 2004   
Letter from the Founder
Featured Article
Ask the Music Wizard
Music Tips
Music Links
C Notes



Hal Leonard



Jamey Aebersold Jazz



Mel Bay Publications



Norah Jones -
Feels Like Home




Steven Schwartz -
Wicked




The music of
Ray Charles




Piano Methods



Guitar Bibles



Learn to play
Ukulele!




Banjo Methods



Flute Methods



Classical Guitar



Worship Music



Disney Favorites



Dear Friends,

I hope you enjoyed July's edition of HearMePlay.com's online music magazine Middle C written by musicians for musicians.

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Respectfully,

John Goodell
Founder
HearMePlay.com


The Musical Art of Story
Musical Guest: Beth Horner, Storyteller and Performance Musician
(http://www.bethhorner.com)

The 1950s were a magical time. Known as the "golden age" to many baby boomers, the 50s encouraged a unique blend of old and new forms of music. In Beth Horner's family, the 50s were filled with music and stories surrounding St. Louis during the 30s.

States Horner, "We didn't have access to television, so our entertainment was singing and telling stories. Music has always been an important part of my life. My extended family, sometimes 20 or more of us, used to sit outside on a summer evening, looking at the stars and singing old songs."

Horner's grandmother was a storyteller. And, Horner's father used to share stories of our various ancestors, of both good and questionable repute. "They both influenced me. I heard these great stories about my family, and other legends, that were often told in the form in music. I learned so much about my family, which promoted love and compassion for each other. I hold these times as cherished memories."

Today, Horner is a professional storyteller and musical performer. She travels throughout the country, sharing her stories through the creative channeling of music. Says Horner, "I started my career working as children's librarian, specifically to keep both music and stories alive."

After high school, Horner attended college, where she created her own unique bachelor's program, incorporating both early childhood development and library science. Later, she completed a master's degree in Library Science. "When I began looking at career choices, I knew that music and stories had to be part of it," she recalls.

Working largely with children of all ages, Horner was able to tap into her own stories and music to bring them to the children in her community. "Kids have limited attention spans. By bringing in music, I was able to help them learn to comprehend my stories, and emphasize the feeling behind the characters in each adventure."

"What I found," she continues, "was that music cuts through to the heart. No matter what language you speak, music is a universal language." After working for a number of years with children, Horner soon had the itch to take her stories and music out to bigger audiences. Now, nearly 20 years later, she has performed for audiences from California to New York.

"I look at my work as a performer - whether in music or story - as an opportunity to present quality and authentic stories filled with emotion." Horner elaborated, "Stories need to be viewed as much more that cultural history. They should be viewed cross culturally, and then each culture is given 'life' through the use of music."

She explains, "Stories are an important part of history. And, music brings those stories to life. Through music, I can express the feelings of sadness, joy, frustration and anger in a story. And, no matter what verbal language is spoken by the audience, music helps audiences understand the story's concept and importance."

Horner is a firm believer in music as a form of artistic expression. "Music has three primary purposes in storytelling. The first is to act as an artistic or structural device. The second is to provide a mood or express an emotion. And finally, music gives 'audio' to a specific culture."

Through music, Horner has been able to help both adults and children explore new cultures and fight stereotypes. For example, she says that in developing a performance based upon an Chinese folktale, she wanted to incorporate some traditional music from the Chinese culture.

"My initial concept was to use the 'gong' sound as part of the musical sound. I called several universities and found a professor of Asian culture. I gave him my concept and asked for cultural advice. The first thing he told me was to avoid using the stereotyped 'gong' sound, and suggested using alternate instruments."

"The end result," recalls Horner, "was that my Chinese story was made more real and the music demonstrated the realities of the Chinese culture. And the audience, even through they were from the Midwest, could travel into Chinese society and experience life through the use of actual Chinese music and story."

"Music plays an important role in society," she states. "It provides reality and emotion for the stories of our past, present and future. Music is the key to helping future generations understand our history and mistakes, and celebrate our victories. It's critical to leave the legacy of music."

Dear Music Wizard,

Dear Music Wizard,

I work with preschool children daily. I try to provide educational skills through music and song. But, sometimes I feel limited to just the simple nursery rhyme songs, such as "London Bridge is Falling Down" or "Mary Had a Little Lamb." I'm stumped. Can you help me uncover some great ways to bring music into the classroom?

-- Musically Dumbfounded


Dear Musically Dumbfounded,

Music is about much more than just words. Music tells stories, teaches emotions, and has been proven to exercise the brain in ways that it ordinarily would not be challenged.

Instead of focusing on the words within the music, think about how you can incorporate music into everyday routines. Is there a song for being happy, sad or mad? Is there a song that your preschoolers can sing before eating, or saying "thank you" to a visitor? How can you incorporate music into story time?

One of the best examples of using music without words is Disney's 1946 edition of Peter and the Wolf. It's a masterful weave of story and music that even young children can appreciate. Think about creating your own Peter and the Wolf by adding music to illustrations, or even to the drawings of children in your class.

Best Wishes,

The Music Wizard

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Do you have a question you'd like to ask a Music Wizard? Send your question to wizard@hearmeplay.com.

Interested in becoming a music wizard? Get great exposure, unique recognition and a personal discount code for unlimited orders! Take pride in building a valuable resource for the music community and utilize this creative outlet for your expertise. Send inquiries to wizard@hearmeplay.com.

If you're looking for a creative method to brainstorm composition, here are some tips to spur your creativity:

1) Create musical "characters" through the use of similar melody lines, particular instrumental groups or rhythm structures. Will there be villains, heroes or heroines? Children? Magical characters?

2) Develop a storyline, including a climax and finale. (For example, will the story be sad, happy, playful, bittersweet or scary?)

3) Establish "chapter" breaks using instrumental patterns. The popular television show, Law and Order, uses a series of clangs to set aside each "chapter" in its plot line.

4) Visualize a setting. Will the story take place on a train, or on a mountain top? In the country or in the city? Use instrumental groups to simulate the sounds of wind, rain, street cars, traffic lights, or even the chug of a locomotive.

The following are links which feature stories disguised as music. Enjoy!

Tchaikovsky's The Nutcracker
http://www.kidsdomain.com/holiday/xmas/music1/nutcracker.html

Prokofiev's Peter and the Wolf
http://www.philtulga.com/Peter.html

Walt Disney's Fantasia
http://www.justdisney.com/Features/Fantasia/

Orpheus, A Musical for Children
http://www.musicnow.co.uk/orpheus/html/tnotes.html

Musical Stories from Far Away Lands
http://www.dsokids.com/2001/dso.asp?PageID=112

Stories in Opera
http://www.fact-index.com/l/li/list_of_famous_operas.html

At HearMePlay.com, we're dedicated to readers like you who are looking to make a living in the music world - even if it's not through performance or music instruction. Below are some fundraising ideas, grants and scholarship opportunities to keep music alive in your world and ours!

http://www.amc.net/
American Music Center is a resource for musicians producers that offers grant information, music directories, artist information and publications.

http://arts.endow.gov/grants/index.html
The National Endowment for the Arts offers a variety of grant programs for artists. Currently, they offer a grant for those artists who seek to preserve our nation's diverse cultural heritage by strengthening the state and regional infrastructure of support for the folk & traditional arts.

http://www.bmifoundation.org/home.asp
From jazz to musical theater to film scores, from music education for gifted youngsters to support for the work of accomplished concert music composers, the BMI Foundation seeks out the best and most promising of today's and tomorrow's musical creators and offers a platform of support through annual scholarships, internships, grants and student composer awards.

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